Carlos Leonardo is a developer from Brazil.
, Curitiba
I like things that take time to get right: a chord progression, a boss pattern, a single 16x16 tile. I have, notably, never applied this patience to anything involving a deadline (except for professional reasons, obviously).






Answer a question with just “because” and watch my eyes twitch. I don’t need the answer, I need the why.
I really love video games. I’ve been playing since I was seven, with my very first console, the awesome Nintendo Wii. I like a lot of different genres from indies, AAA, online. Here are my favorites:
The Legend of Zelda: Tears of the Kingdom
Red Dead Redemption 2
ARK: Survival Evolved
Forza Horizon 3
Life is Strange
Pokémon Alpha SapphireDark Souls, Monster Hunter, Zelda, Forza Horizon, ARK, Hades: if it hands me a corridor and calls it a game, it’s not my type.
Zelda taught me the obstacle usually isn’t the obstacle, it’s the angle. Turn it enough times and “ugh, I have to go to college” becomes “wait, I get to go to the place I used to dream about.”


Music’s been part of my life a lot longer than I’ve had the tools for it. As a kid, lessons were never really in the cards, so I just listened, over and over and over… and waited. My first paycheck from the internship went straight to an Arturia KeyLab, closing out a plan that had been open for about fifteen years.

These days I chase atmospheres somewhere between C418 and EDEN, though “finished song” is still more of an aspiration than something real. The muse and I have a standing meeting; attendance is inconsistent on both sides. But long before I ever touched a key, I was a listener first, and I still am one: lyrics (or meaning) before melody, always(except if it has no singer.)
I care about design in pretty much everything: this portfolio, the terminal glow on Grimoire, the small choices most people don’t consciously notice but would definitely notice the absence of. Notable exception: my YouTube thumbnails (don’t ask me why, I don’t know either).

Give me a trail, a tent, and a few good friends and I’m happy for days. I’d love to study biology properly one day. For now I just try to learn what I can about it on the side.

One year into growing a gardenia bonsai, which mostly means losing a slow, wordless argument about who’s actually in charge. It doesn’t respond to enthusiasm or deadlines. I suspect it’s teaching me something. I just don’t know what yet.
I collect physical Nintendo media. “Collect” is a strong word: collector’s prices and intern money don’t really get along, so it’s more of a slow, expensive courtship.

The music, the games, the pixel art — (yes, an em dash. I was here first.) none of it is really the point. Most of what matters happens off the page, with the people I love.
(The gardenia bonsai listens too. It has strong, silent opinions.)
As you can see, I love to talk, but I’ll spare you the rest before this turns into a novel. If you’d like to keep talking, send me a message.
And whatever page of life you’re on right now: I hope it’s a good one. And if it’s not, I hope the next chapter turns the corner soon.


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